“Six photographs of unremarkable industrial landscapes in Passaic, New Jersey depict evidence of man-made history, yet the title of “monument” seems ironic. Richard Long, A Walk of Four Hours and Four Circles (1972) ![]() ![]() This entry was posted in Attire, Body Image, Drawing, Gender, Humor, Power Dynamics, Processions or Marches or Parades, Queerness, Reenactment or Reprise, Solo Walk, Spectacle, Traces, Urban, Wearables and Tools on by admin. The parade, overseen by Fritz Haeg and titled East Meets West Interchange Overpass Parade, was sponsored by the Indianapolis Museum of Art and was held on April 26, 2008. On Procession, Indianapolis Museum of Art, 2009. ![]() In her own words, this cowboy without a horse “hopes to critique both the construct of the American cowboys, as well as nostalgia for a romantic past that never existed.” The saddle was fully eroded by the end of the trek, leaving a two-mile double line that encircled the full parade route.” Specific to the 2008 iteration: “As part of her ongoing performance series Saddledrag, artist Anna Campbell dressed in self-proclaimed “cowboy drag” and pulled a cast-plaster saddle behind her.
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